The Mercury Music Prize winner is, for
once, a wonderful record.With their
debut, Alt-J have managed to tread
the path between accessibility and invention, and fair play to them.I had been waiting for this for ages, ever since
my brother gave me a demo of the utterly wonderful geek-gem ‘Breezeblocks’
about two years ago.A rerecorded
version of that song appears on this album and it is undoubtedly my favourite
individual track of the year by any artist: quirky indie guitar, rumbling bass,
layered vocal interchanges, odd electro.Wow.And the album as a whole
follows this pattern.‘Something Good’
carves a lilting little tune out of waves of piano, ‘Matilda’ is a simple
acoustic guitar song, though you’d never know it with all the keyboard samples
giving meat to its bones.The a-cappella
opening of the masterful ‘Fitzpleasure’ explodes into drive bass, then take a
left turn through piano ballad and plinky guitar, only to come full
circle.The eastern riff underpinning
the xylophone dappled ‘Taro’ is another standout moment.Utterly wonderful.These are just my favourites; this is truly
an album without a weak track.
There was lot of hype about Alt-J, but it really was
justified.The originality and invention
here is staggering, but the fact that they have managed to experiment so much
and yet appeal to a wide audience, gain radio play, etc, is just as
remarkable.A stunning debut record; it
would have been number 1 on my list in both 2010 and 2011, which shows how much
I love the next two records…