three.

Alt-J
An Awesome Wave
The Mercury Music Prize winner is, for once, a wonderful record.  With their debut, Alt-J have managed to tread the path between accessibility and invention, and fair play to them.  I had been waiting for this for ages, ever since my brother gave me a demo of the utterly wonderful geek-gem ‘Breezeblocks’ about two years ago.   A rerecorded version of that song appears on this album and it is undoubtedly my favourite individual track of the year by any artist: quirky indie guitar, rumbling bass, layered vocal interchanges, odd electro.  Wow.  And the album as a whole follows this pattern.  ‘Something Good’ carves a lilting little tune out of waves of piano, ‘Matilda’ is a simple acoustic guitar song, though you’d never know it with all the keyboard samples giving meat to its bones.  The a-cappella opening of the masterful ‘Fitzpleasure’ explodes into drive bass, then take a left turn through piano ballad and plinky guitar, only to come full circle.  The eastern riff underpinning the xylophone dappled ‘Taro’ is another standout moment.  Utterly wonderful.  These are just my favourites; this is truly an album without a weak track.

There was lot of hype about Alt-J, but it really was justified.  The originality and invention here is staggering, but the fact that they have managed to experiment so much and yet appeal to a wide audience, gain radio play, etc, is just as remarkable.  A stunning debut record; it would have been number 1 on my list in both 2010 and 2011, which shows how much I love the next two records…